Current Students: M.A.
 
NameUndergraduate InstitutionYear of EntranceResearch Interests
Sueann Chang ShiahBelmont University, Music Business (Minor: Chinese)2018Race/Culture, Identity Formation, Identity / Politics, Social Movements, Colonialism
Pei Er ChangDepartment of Chinese Music, Chinese Culture University2018Chinese Music; Effects of Sound towards Human Body; Ethnomusicology
PAN, YEN-CHENTaipei Medical University, Nursing2018Music of Taiwan, Music Therapy
CHEN YUTINGDepartment of Music, National Taiwan Normal University2018Western Music, Sociology of Music, Aesthetics of Music
Kuan-hsin, TUNGDepartment of Music ,University of Taipei2017Music therapy、Music, body, mind, and spirituality、 European music history、music analysis
Chia-chun, HUNGEMBA, National Tsing Hua University2017Advertising music, big data music analysis, music and brains, jazz music, electoral music, phase song, after the rock
Ya-yin, LIUDepartment of English Language, Literature and Linguistics, Providence University2017Musicological study of globalization and intercultural interaction
Hao-jan, CHIANGDepartment of Music, Nanjing Arts University2017Guqin music, Chinese music history, Asian pop music, Gender studies
Yu-han, WANGDepartment of Chinese Literature, Fu Jen Catholic University2017Chinese philosophy of music
Samuel GARCIAAsian Languages and Cultures / Voice Performance, Northwestern University2017Chinese Art Songs, Popular Music and Gender
Yin-hsuan, TAIDepartment of Foreign Languages and Literatures, National Taiwan University2017Popular Music, Music and Gender Studies, Social Musicology/Sociology of Music
Sheng-Jie, LIOUDepartment of Chinese Music, National Taiwan School of Arts2017Chinese Music, Sinophone Studies
Hung-jen TANGMusic Major / History Minor, Monash University2016Music Culture: History and Society
Kuan-chen HuangDepartment of Music, National Sun Yat-Sen University2016Sociology of Music; Music and Modernity
Ya-hsuan KUNGDepartment of Music, Tunghai University2016 
Pei-lan PAODepartment of Music, National Sun Yat-Sen University2016Ethnomusicology, Chinese Drchestra
Hsien-sheng CHENDepartment of Life Science, National Taiwan University2016 
Yu-chiao CHOUDepartment of Quantitative Finance, National Tsing Hua University2016Western Music, Sociology of Music
Chia-en LIDepartment of Music, Taipei National University of the Arts2016Music Improvisation
Shao-hsuan LINDepartment of Chinese Literature, National Chung Cheng University2016 
Pi-hsien CHIENDepartment of Music, National Taiwan Normal University2015 
Kai-tang CHANGDepartment of Philosophy, National Chung Cheng University2015 
I-hsuan LIDepartment of Music, Taipei Municipal University of Education2015 
Cheng LINDepartment of Japanese Language and Literature, National Taiwan University2015 
Chia-yen CHANGDepartment of Music, Taipei Municipal University of Education2015 
Chieh WANGDepartment of Music, National Taiwan Normal University2015 
Tien-yen FENGDepartment of Music, Soochow University2015 
Xiang-yu ZHAODepartment of Cultural Heritage and Museology, Zhejiang University, China2015Chinese ancient music history
Tzu-ying CHUANGDepartment of Chinese Literature, National Taiwan University2014 
Chun-hao CHENDepartment of Dentistry, National Taiwan University2014 
Tien-chia HSUDepartment of Chinese Music, Tainan National University of the Arts2014 
Chi-yu CHENDepartment of Sociolog, National Chengchi University2014Hymnology; Ethnomusicology; Global Music
Yu-Hsuan LIAODepartment of History, National Cheng Kung University2014 
Yu-shan LINDepartment of Music, Shih Chien University2013 
Shu-wei HSUDepartment of Political Science, National Chengchi University2013Popular Music
Tai-wei LINArts and Crafts Department, Tung Fang Design University2012 
Meng-hsien YAODepartment of Ethnology, National Chengchi University2012 
Hsin-Tung CHOUDepartment of Music, National Taiwan University of the Arts2012 
Min-yeh LIDepartment of Political Science, Division of International Relations, National Taiwan University2011sociology of music; music and gender; music and space; critical postmodern theory
Hsing-ju SUNGDepartment of Political Science, National Taiwan University2011Taiwanese music; Okinawan music; postcolonial theory

 
 
  Current Students: Ph.D.
 
NameUndergraduate InstitutionYear of EntranceResearch Interests
Chengzhan Hanthe University of Sydney, the Department of Gender and Cultural Studies2018the music of Guqin, music and identity, music and psychology, Chinese philosophy
Yuan Yen, HsuTNUA, Institute of Folk Culture and Arts(Music and Theater)2018History of music technology, acoustic sound
Seung-im, SEOMusicology, Ewha Womens University2017 
Ya-kuei, CHANGDepartment of Music, National Kaohsiung Normal University2017 
Shih-chia LINGraduate Institute of Musicology, Taipei National University of the Arts2016The music of Guqin; The Music of Nanguan, The Traditional Asian Musics, The Modern Asian Composers
Jo-yao HUANGDepartment of History, National Taiwan University2016Music of Early Modern Europe, Music and Society, History of Books, Printing and Reading Culture
Yick-sau LAUGraduate Institute of Taiwan Literature, National Taiwan University2016 
Hsiao-en YANGDepartment of Music, Taipei National University of The Arts2015Jazz Music and Jazz in Taiwan / Asia; Popular Music and Popular Music in Taiwan; Jazz Theory; Post Colonial Modernity
Ming CHENGDepartment of German Language and Culture, Soochow University2015Philosophy of Music; Music Theory; Black Studies

 
 
  Alumni
 
NameUndergraduate InstitutionYear of GraduationThesis Title
Chia-chi CHENDepartment of Foreign Languages and Literatures, National Taiwan University2018The Bowing of Nanguan Erxian: Converging and Diverging Conventions
Emilia BORZADepartment of Chinese Studies, University of Warsaw, Poland2017The street musicians of Taipei and new Taipei city : identity, community and social portraits
Hyunyoo PARKDepartment of English Language and Literature ,Seoul National University, Korea2018Folk Music Scenes in 1970s Korea and Taiwan: Wolganpapsong and Gunshi
Ko-Hua HUNGDepartment of Foreign Languages and Literature / Chinese Literature, National Tsing Hua University2018Sounds Dislocation and Source Tracing: The Aesthetics of Space Displacement in Electronic Dance Music
Tzu-chun LINGDepartment of Chinese Music, National Taiwan University of Arts2018Research on Qiong Yao Films
Chia-han YEHDepartment of Music, Soochow University2018Analysis of Soundtracks of Disaster Films and Audience Emotional Responses
Yu-ching LIUDepartment of English, National Taiwan Normal University2017Characteristics of the Vocal Rhythm in Jonathan Lee's and Tom Chang's Popular Songs
Ting-yun HSUDepartment of Music, National Taiwan University of the Arts2018Musical Time in Contemporary Mandarin Popular Songs: A case study of Male singer-songwriters’ Works
Hsiao-ning TZENGDepartment of Education, National Chengchi University2016The hall of music and entertainment : the research of arts and cultural performances of the Taipei Zhongshan Hall (City Public Hall)
Ai CHUNGDepartment of Library and Information Science, National Taiwan University2017A preliminary study on Taiwan's radio program kodomo no jikan 'children's time' in colonial taiwan
Wei LANGChinese Music Department, National Taiwan University of the Arts2017The optimal experience of "pasibutbut" : investigating the consciousness state of Bunun Taiwanese when singing the millet harvest praying song
Meng-ting WUDepartment of Music, Tunghai University2016Emotional effects of Teresa Teng's songs in Taiwanese healthy and disabled older adults
Min-erh WANGDepartment of Plant Pathology and Microbiology, National Taiwan University2015The uncertain identity of Chinese music: symphonization and adaptation from western music in the development of Taipei Chinese Orchestra
Chun-chieh CHANGDepartment of Civic Education and Leadership, National Taiwan Normal University2015The target of consumer and the construction of meaning in musical multimedia works: a case study of "tsiok- kám- sim" television advertising series of elife mall
Lu-Ting CHIADepartment of Traditional Music, Taipei National University of the Arts2016Theatrical uses and musical features of jin-la-man-chang rhythmic mode in que-bo-luan-tan xiqu
Hui-ping LIDepartment of Geography, National Taiwan University2016The "strategic essentialism" and "Asia as method" in José Maceda's academic writings and musical compositions
Yi-hsiu CHODepartment of English, National Taiwan Normal University2015Musical sublime in the film Life of Pi: from Ang Lee's cross-cultural perspective
Chia-hsin CHANGDepartment of Music, National Taiwan University of the Arts2016Hong Kong Imaging China in Jin Yong's Wuxia TV Original TV Songs
Wei-hao PENGDepartment of German Language and Culture, Soochow University2015From A-mei to A-mit: Chang Hui-Mei's transformation and self-resistance
Yi-ju HSIEHDepartment of Music, National Taiwan Normal University2015The non-narrative audiovisual oscillating between dynamic and static states: analyzing Ryoichi Kurokawa's rheo: 5 horizons
Shu-yao CHUDepartment of Music, Taipei Municipal University of Education2014Song uses and audience experiences of Korean idol dramas: a study on "My girl", "You're beautiful", and "Secret garden"
Tung-yue HUANGDepartment of German Language and Culture, Fu Jen Catholic University2015A research of on music and sound effect in Lee Hsing's healthy realism films
Wan-ling CHENDepartment of Music, National Kaohsiung Normal University2015Arranging pop song in colonial Taiwan: the case of Teikichi Okuyama's works
Hui-chieh YANGDepartment of Political Science, National Taiwan University2014Relations in musical multimedia: take "the polarity" in Lady Gaga's three music videos for example
Ya-chien WENDepartment of Human Development and Family Studies, National Taiwan Normal University2012The Effects of Harmony on Musical Modulation During Active Listening: A MEG Study
Chung-ping CHENDepartment of Engineering Science, National Cheng Kung University2013Tension-Relaxation Patterns in the Retransition to the Recapitulation in Sonata Form: A Study Combining Music Analysis and Measures of Listener Physiology
Chien-jung LEEDepartment of Economics, National Chengchi University2012Dynamic Process in the First Tableau of Petrushka
I-hua YANGDepartment of Chinese Music, Tainan National University of the Arts2015Imagining Taiwan? nanguan in taiwanese contemporary music compositions
Mei-ju LINDepartment of Real Estate & Built Environmen, National Taipei University2014The song and score of the national policy film sayon no kane in the japanese colonial period
Ching-yuan LIAODepartment of Economics, National Taiwan University2013A Preliminary Study of Shakuhachi Activities in Colonial Taiwan, with Emphasis of its Popularization (1933-1937) and the Taiwanese Skahuhachi Player Lin A-Fa
Ting-shuo KUODepartment of Chinese, National Kaohsiung Normal University2013Japanese Animated Music in Modern Times: A Case Study of the Animated Film Summer Wars
Yi-fan HSIAODepartment of Anthropology, National Taiwan University2013Re-imagining of "Golden Lineage" and Construction of Pride: The Folk-Rock Band Altan Urag and Mongol Identity
Meng-kuei CHANGDepartment of Music, Taipei National University of the Arts2013The Cinematic Labyrinth Created by Illusion and Reality: Narrative Space Constructed by Film Music in David Lynch's Inland Empire
Yao-pang CHANGDepartment of Music, National Taiwan Normal University2015The ebb and flow of tension in György Ligeti's Artikulation
Jung-shan CHENDepartment of Music, National University of Tainan2012Slow Lyrical Popular Songs in Taiwan: a Study of the Verse - Refrain Form and Listening Behaviors
Sheng-an WANGDepartment of Music, Taipei Municipal University of Education2015Taiwanese music and its consciousness: a postcolonial perspective of the post-martial-law-period elementary school music textbook
Hao-yu HUANGDepartment of Music, National University of Tainan2011Tracing the Origins of Twenty-Six Atayal  Hymns
Chia-ling CHOUDepartment of English Language and Literature, Fu Jen Catholic University2014Gendering "self" and "other" in French orientalist operas after the Franco-Prussian war: Lakmé, Thaïs and La princesse jaune
Chun-pei HSIEHDepartment of Social Work, Soochow University2011Latin Rhythms in Taiwanese Puppet Theater
Ma-dan HODepartment of Music, Taipei Municipal University of Education2014Sounding Space: Hearing Taiwan's Colonial Experiences in Japanese Recordings
Ching-ting CHOUDepartment of Japanese Language and Literature, National Taiwan University2011A Musical Netnography in the Age of the  Internet: With a Focus on Three Classical Music Blogs
Wei-ling SHENDepartment of Music, National Taipei University of Education2013"Noise" as Voice of Resistance: The Acoustic Practice and Performer-Audience Interactions of the Loh Tsui Kweh Commune's Live Performances, 1990-2001
Yu-han TSAIDepartment of Music, National University of Tainan2012The Functions and Audience Experiences of the Chorus in Broadway Musicals After the 1970s
Li-ching WANGSchool and Graduate Institute of Physical Therapy, National Taiwan University2009Rocking to the Music: A Study of Motor Patterns and Physiological Measures
Wei-chiann YANGDepartment of Applied Music, Tainan National University of the Arts2009Analyzing the Red Myth: Musical Schema Shifts in Model Beijing Operas
Yen-ting CHAODepartment of Health Promotion and Health Education / English, National Taiwan Normal University2010Fusion is Inside of Yourself: Nguyễn Lê and  Sizhukong's Global Fusion Jazz
Wang-ting CHIUDepartment of Music, Taipei Municipal University of Education2010Becoming "Formosa's Vocal Bass King":  A Study of Hung Yi Feng’s Compositions and "Mixed-Blood Songs"
Shih-yun LIAODepartment of Finance, National Taiwan University2009A Study of Tan Dun's Northwest Suite:  The Multidimensional Dialogue between Composition and Guoyue
Shao-shan LIANGDepartment of Ethnomusicology, Nanhua University2010The Glorious Years: the Yi-Sha Dance  Troupe's Musical Style and Its Applications
Wei-chin CHANGDepartment of Anthropology, National Taiwan University2010Textual and Melodic Arrangement in  Wen-Hsia's Taiwanese Cover Songs
Wen-shu JUANDepartment of Philosophy, National Chengchi University2011Retelling A Legend: On the Construction of Spectacle in Chen-Da and "Su Siang Ki" in 1970's Taipei
Pei-ling HUANGDepartment of Architecture, National Cheng Kung University2010A Historical and Cultural Interpretation of Northern Dynasty Dunhuang Music Iconography: With Special Focus on Ensemble Sound and the Ji-Gu Indian Drum
Yi-chun HSIEHDepartment of Music, National Sun Yat-Sen University2008The Features of Traditional Confucian Temple Music Employed in Bunya Koh’s Works --- Kongmiao Dacheng Yuezhang
Yu-fen HUANGDepartment of Music, National Taiwan Normal University2010Susanne K. Langer's Theory of Tension and Temporality in Music: Proposing a Multilayer Analysis
Yen-jui CHENDepartment of Music, Taipei Municipal University of Education2010Instrumental Modernity in Taiwanese Literati's Listening Experiences under Japanese Colonial Rule
Yan-fang LIOUDepartment of Ethnomusicology, Nanhua University2008Changes in the System of Buddhist Practice, Education, and Ritual Music - The Case of the Drikung Kagyu Samtenling Nunnery in Tibetan Buddhism
I-hsi YEHDepartment of Banking and Cooperative Management, National Taipei University2008The Spatial Construction of the Musical Body and Its Sense of Place: A Case Study of Musical Bodies at Lu-Ming Square
Che-yao CHANGDepartment of Traditional Music, Taipei National University of the Arts2009Sonorous Silence - Teng Ge'er's Nostalgia and Mongolian
Yi-ju WANGDepartment of Philosophy, National Chengchi University2008"Telling a Story": Three Scat Solos by Ella Fitzgerald
Chieh-ting HSIEHDepartment of Journalism, National Chengchi University2007Relating Dance and Music Through Dynamics: From Rudolf Laban's choros to Kurt Jooss' Tanztheater
Tzu-cheng LINDepartment of Music, Soochow University2007The Soundtracks of Western Music in Modern Taiwan: On Taiwanese Concert Life in the Japanese Colonial Era
Yi-ju LINDepartment of Music, National Taipei University of Education2007A Strand of Beautified Singing: A Study of the Music of Taiwan Yi-Dan in the Japanese Colonial Period
Chun-li CHENDepartment of Diplomacy, National Chengchi University2010Wind Band Development in Taiwan During the Japanese Colonial Era - With Special Focus on the Taipei Band and Its New Park Open Air Concert Hall Performances
Hung-pei YEHDepartment of History, Fu Jen Catholic University2009A Study of the Guqin Pieces 'Da Hujia' and 'Xiao Hujia'
Yu-wen SHIHDepartment of Music, National University of Tainan2005A Study of the Notational Method ofWenhuantang Fingering Notation: Revisting the Transformation of the Nanguan Notational Concept
Yi-ling WUDepartment of Music, Taipei National University of Arts2008Phonographs, Graphophones, and  Gramophones in the Early Japanese Colonial Period of Taiwan (1898-1910) - A Study of the Reportage in the Taiwan Daily News
Ai-mei LUODepartment of Arabic Language and Literature, National Chengchi University2008Three Case Studies of Guqin and Musical Modernization of in China (1918-1937); Wang Lu, Wang Guangqi and the Jinyu Qin Society
Ya-ting YANGDepartment of Music, National Taiwan Normal University2005Gershwin's Melodic Strategies in His Instrumental Music: A Stylistic Study ofRhapsody in Blue, the Concerto in F for Piano and Orchestra, and An American in Paris
Chih-ming LINDepartment of Music, Taipei National University of the Arts2008An Investigation of the Original Resources of Gua-Kang Puppet Music: A Case Study ofHua Ron Daw by the I Wan Jan Puppet Theatre
Pei-hsiu KAODepartment of Music, Soochow University2008The Musical Mobilization Movement of the  Kominhokokai
Yun-shiou TSAIDepartment of Slavic Languages and Literatures, National Chengchi University2008KHS in Taiwan: A Social History of a Musical Instruments Company
Kai-ling HSUDepartment of Music, National Taiwan Normal University2005A Study of the Content of Radio Programs in the Japanese Colonial Era — With Special Focus on the Broadcast of Military Songs (1937-1941)
Yu-yin CHENDepartment of Music, National Hsinchu University of Education2004The Study of Chinese Drum Culture from the Prehistorical Period to the Han Dynasty
Kun-ter CHANGBerklee College of Music, Department of Professional Performance / National Chiao Tung University, Department of Applied Mathematics2007From "Just for the Love" to "Giant Steps" - The Unique Harmonic / Tonal Structures of John Coltrane's Early Compositions
Chien-yee YEOHDepartment of Music, Universiti Sains Malaysia2005The Study of Malaysian Chinese Art Songs: An Analysis of Khaw Guan Liang's Works
Ming-yen LEEChinese Music Department, National Taiwan University of the Arts2005Indonesian Traditional Music Practice in Islamic Religious Ceremony: Gamelan Sekati as Celebration for Muhammad's Birthday in Indonesia's Yogyakarta Palace
Pei-yu WUDepartment of Music, National Taiwan Normal University2004The Compositional Process in Stravinsky's Neoclassical Period - Linear Methods in Medium or Large Works
Yu-chun HSUDepartment of Philosophy, Fu Jen Catholic University2004The Experience of Recitation and the Use of Sound in the Rituals of Taiwan's Muslim Congregations
Fang-yi HUNGDepartment of Music, Soochow University2004The Madness of the Time, the Diva of Shanghai: Zhou Xuan, Popular Songs, and Chinese Modernity, 1930s-1950s
Wen-bin LIANGDepartment of Music Education, National Taipei Teachers College2004A Study of the Ballad "Hsin Hun Bie" - From Work to Society and Era
Ching-lan SUDepartment of Music, National Taiwan Normal University2008The Relationship between Temples,  Immigrants, and the Musical Activities of Nanguan Clubs - The Greater Kaohsiung Area as Case Study
Mei-fang HUNGDepartment of Music, National Pingtung University of Education2004The Study of Zheng You-Zhong and His Band - From the 1920's to the 1960's
Ching-lan CHANGDepartment of Sociology, National Taiwan University2005Ancient Greek and Chinese Thought on Music Education
Chiao-yin YUDepartment of Japanese Language and Literature, National Taiwan University2005The Transformation of Rhythmic Visual Images - The Interactive Relation of Music and Image in In the Mood For Love
Pei-ling CHUNGDepartment of Music, National Taiwan Normal University2003Taipei Chamber and Philharmonic Orchestra: A Study of the Tenure of Henry Simon Mazer as Music Director (1985-2002)
Pei-ju LIAODepartment of Financial and Economic Law, Chung Yuan Christian University2003An Investigation of the Folksong Collective Movement
Chen-lan SHIHDepartment Of Drama, National Taiwan Academy of Arts2003The Origins of the Antique Chinese Pear-Shaped Lute and Its Reclassification: An Iconographic Study
Yu-kuan CHUANGDepartment of Music, National Sun Yat-sen University2004Yi-dan Musical Activities in 1930s Taiwan - An Analysis of Reports Printed in the 369 Tabloid
Kuang-ta YUANDepartment of Sociology, Fu Jen Catholic University2003Theatrical Performance in Late Qing and Early Republican China - A Case Study of the "New Stage" Movement (1908-1927)
Ming-lun LIDepartment of Electrical Engineering, National Taiwan University2003Pursuing "Authenticity"? - The Ideals and Practices of Conductors of Original Instruments Ensembles in Performances of Beethoven's Ninth Symphony
Hui-ling CHENDepartment of Music, Fu Jen Catholic University2003The Philosophy of the I Ching in Chou Wen-chung's Compositional Practices - WithBian as Analytical Focus
Yi-hui LIDepartment of Foreign Languages and Literatures, National Taiwan University2002The Presentation of Classical Music in Taiwan: A Case Study of Philharmonic Radio Taipei
Yen-ling LIUDepartment of Music, National Taiwan Normal University2001The Development of Allan Forte's Set Theory - From 1973 to 1999
Hao-hsuan CHUANGSchool of Pharmacy, Taipei Medical College2002An Analysis of Therapeutic Elements in Music: The Case Study of Anti-Insomnia Music by Peter Hübner in Medical Resonance Therapy
Hui-wen CHANGDepartment of Music, National Taiwan Normal University2002The Life of the Japanese-Colonial-Era Soprano Lin Shi-hao
Po-wei WENGDepartment of Music Education, National Taichung Teachers College2001From Semiotic to Performing Systems: A Study of the Peking Opera luogu
Shih-shan CHIUDepartment of Music Education, Taipei Municipal Teachers College2001The Impact of the Taiwan Provincial Symphony Orchestra and the Society for the Promotion of Taiwanese Culture in the Early Postwar Era (19545-1949)
Hsin-fang CHIANGDepartment of Music, National Institute of the Arts2004The Taipei Century Symphony Orchestra - With an Investigation of Government Policy of Cultural Support
Yung-kai TSAIDepartment of Information Management, National Taiwan University2003Virtuosity in the Arrangements of Bach's Chaconne in d minor by Brahms and Busoni
Ying-ping HUDepartment of Chinese Literature, National Taiwan University2003The Interaction of Music and Image - The Coordination of Visual and Musical Time inCrouching Tiger, Hidden Dragon
Li-wen NIEN 2003A Study of Postmodernism in the Compositional Style of Tan Dun's Orchestral Theatre III: Red Forecast
Hsiang-Ling YANGDepartment of Music, National Institute of the Arts2001The Musical Activities of the Chuchian Local Elite in Qing Dynasty Taiwan - With Special Focus on the Lin and Cheng Families
Hsin-chun LUDepartment of Philosophy, Fu Jen Catholic University2001The Structural Development and Symbolic Meanings of the Burmese Bow-Shaped Harp Saung-gauk
Meng-tzu CHUDepartment of Anthropology, National Taiwan University2001The Musical Practices and Aesthetics of Composing Rock Bands in Taipei --- The Case Study of the Chthonic Band
Hui-hu HUANGDepartment of Political Science, National Taiwan University2001Usages of Music in the Minquan Taiwanese Opera Troupe's Outdoor Stage Performances
Chien-ming CHENDepartment of Atmospheric Sciences, National Taiwan University2002The Making of Arrangements in Mandopop
Hsin-yuan LIUDepartment of Animal Science and Technology, National Taiwan University / Department of Music, Soochow University2000Improvisation in Northern Taiwanese Hakkashan gezi
Chien-yi LINDepartment of Law, Soochow University2002Copyright Protection of Indigenous Traditional Musical Works --- The Case of the International Copyright Infringement of a Performance by Difang
Yu-chen HUANGDepartment of Library Science, National Taiwan University2000A Study of Expression and Form in the Hermeneutic Perspective of Hanslick's On the Musically Beautiful
 



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