出版年: 2002年
研究生: 林倩夷
論文名稱: Copyright Protection of Indigenous
Traditional Musical Works
--The Case of International Copyright Infringement of
A Performance by Difang
(原住民傳統音樂著作之保護─以郭英男事件為例)
指導教授: 康嘉鐸
學位類別: 碩士
校院名稱: 國立臺灣大學
系所名稱: 音樂學研究所
學號: R85144007
學年度: 90
語文別: 英文
論文頁數: 148
關鍵字: 原住民傳統音樂著作 Indigenous music
著作權保護 copyright protection
集體權 communal right
[摘要]:
Indigenous traditional musical works are
not protected as copyrightable work
under current legal framework. As a case study of the internatinal copyright
infringement of Difang's performance and current music culture industry, the
thesis is set to suggest a possbile win-win solution for the protection and
development of indigenous traditional musical works and music creation.
[中文摘要]
現今著作權法對原住民傳統音樂著並未提供保護，本論文係以郭英男國際侵權事件為經，
以當代音樂文化工業為緯，藉由對現今著作權法體系之檢討，嘗試提出對於原住民傳統音
樂著作保護規範機制之建議。
[論文目次]
INTRODUCTION 4
I. MOTIVATION 4
II. STATEMENT OF PURPOSE 4
III. CURRENT STATE OF STUDY 5
IV. MAIN ISSUES 7
V. RESEARCH STRATEGIES AND METHODOLOGY 8
CHAPTER ONE FACTS OF THE CASE 11
I. PASS IT ON: THE PERFORMANCE, THE RECORDING AND THE PUBLICATION 11
II. RETURN TO INNOCENCE 12
III. THE INDIGENOUS ACTION 14
CHAPTER TWO ANALYSIS OF THE CASE 19
I. THE CULTURAL CONTEXT OF THE AMI AND “JUBILANT DRINKING SONG” 19
I.1 Basic Profile of the Amis 19
I.2 Inner Social Structure of the Amis and the Communal Folklore Rights 20
I.3 The Oral Tradition and the Storytellers 21
I.4 Difang and “Jubilant Drinking Song” 23
II. ENIGMA OF THE RETURN TO INNOCENCE 24
II.1 The Composer 25
II.2 The Enigma Project 27
II.3 The Studio: A Sampling Heaven 32
III. THE PROCESS OF THE UTILIZATION OF THE RECORDING BY THE INTERMEDIARIES 35
III.1 Minimum Protection for Performers: 37
III.2 The Process of Authorization 39
III.3. Formalities 40
CHAPTER THREE
THE FUNDAMENTAL ASSUMPTIONS UNDERLYING CURRENT MUSIC COPYRIGHT 42
I. BACKGROUND AND HISTORY OF DEVELOPMENT OF COPYRIGHT LAW
--THE HISTORICAL EMERGENCE OF THE CONCEPT OF THE INDIVIDUAL AUTHORSHIP 42
I.1 From Collaboration to Individualism 42
I.2. The Legal Follow-up 44
II. CONTEXTUALIZATION AND DECONTEXTUALIZATION
--FROM THE PERSPECTIVE OF COMMODIFICATION 45
II.1 The Antagonistic Relation 45
II.2 The Commodification of Indigenous Music on Adorno’s Critical Theory 47
CHAPTER FOUR
PROBLEMS IN CURRENT COPYRIGHT LAW WITH REFERENCE TO INDIGENOUS TRADITIONAL
MUSICAL WORKS
--FEATURES OF INCOMPATIBILITY OF THE APPLICATION OF CURRENT MUSIC COPYRIGHT
LAW UPON INDIGENOUS TRADITIONAL MUSIC 54
I. THE SINE QUA NON OF COPYRIGHT PROTECTION 54
II. ORIGINALITY—AUTHORSHIP OF MUSICAL WORK 56
III. THE CONCEPT OF MUSICAL CREATION BY INDIVIDUAL COMPOSER AND IMPROVISATION
58
IV. THE CONCEPT OF REPRODUCTION AND AUTHORIZATION 60
V. SIMILARITY AND THE FAIR USE DOCTRINE 62
CHAPTER FIVE
A MATCH MAKER OR AN ACCOMPLICE?
--THE INTERMEDIARIES BETWEEN THE INDIGENOUS PEOPLE AND THE MUSIC CULTURAL
INDUSTRY 65
I. ANALYSIS OF THE STRUCTURE OF MUSIC PRODUCTION 65
II. THE INTERMEDIARIES 66
III. ETHNOMUSICOLOGISTS 69
III.1 Protection Provided for Ethnomusicologists 70
III.2 Protected Phonograms 71
III.3 Formalities 73
III.4 Secondary Uses of Phonograms—Equitable Remuneration 73
III.5 Limitations on Protection 74
IV. CULTURAL ORGANIZATIONS 75
V. COMPOSERS AND THE SAMPLING TECHNIQUES 77
VI. MUSIC RECORD COMPANIES 79
CHAPTER SIX
A SUGGESTED MECHANISM FOR THE PROTECTION, PRESERVATION AND PROMULGATION OF
INDIGENOUS TRADITIONAL MUSICAL WORKS 81
I. A COMMUNAL RIGHTS MODEL FOR THE OWNERSHIP OF INDIGENOUS TRADITIONAL MUSICAL
WORKS 82
II. CULTURAL POLICIES AND COMPLEMENTARY LAW 84
II.1 Human Rights 85
II.2 Biological Diversity 86
II.3 Cultural Pluralism--From Multi-culturalism to Inter-culturalism 88
II.4 Cultural Rights 93
II.5 Preliminary Conservation—Endeavors to Survival 95
II.6 Indigenous Legal Concept 102
II.7 On the Possible Self-Governance of Indigenous Peoples 114
II.8 Initiatives for Endogenous and Sustainable Development 121
CONCLUSION 136
REFERENCE 138
I. ENGLISH 138
A. Books 138
B. Periodical Articles 139
II. CHINESE BIBLIOGRAPHY 143
A. Books 143
B. Periodicals Articles 145
[參考文獻]
1. Adorno, Theodor W..
Introduction to the Sociology of Music. Translated from the German by E.B.
Ashton. A Continuum Book, The Seabury Press, New York, 1962.
2. Adorno, Theodor W..
The Culture Industry, Selected Essays on Mass culture. Edited with an
introduction by J.M. Bernstein, Routledge. 1991.
3. Bennett, Andy.
Cultures of Popular Music, Issues in Cultural and Media Studies. Open
University Press, Buckingham, Philadelphia, 2001.
4. Frith, Simon.
Music and Copyright. Edinburgh University Press, 1993.
5. Frith, Simon.
The Cambridge Companion to Pop and Rock. Edited by Simon Frith, Will Straw and
John Street. Cambridge University Press, 2001.
6. Gadbaw, R. Michael and Richards, Timothy J..
Intellectual Property Rights. Global Consensus, Global Conflict? Economic
Competition Among Nations Series, Westview Press boulder & London, 1988.
7. Geertz, Clifford.
The Interpretation of Cultures. Basic Books, 1973.
8. Hayward, Philip.
Sound Alliances: Indigenous Peoples, Cultural Politics and Popular Music in
the Pacific. Cassell Academic, 1998.
9. Lury, Celia.
Cultural Rights, Technology, Legally and personality. Routledge, London and
New York, 1993.
10. McCarthy, J. Thomas.
Desk Encyclopedia of Intellectual Property. Washington, D.C.: The Bureau of
National Affairs, 2nd 1996.
11. Nettle, Bruno.
The Study of Ethnomusicology, Twenty-nine Issues and Concepts. University of
Illinois Press, Urbana Chicago London, 1983.
12. Paddison, Max. Adorno, Modernism and Mass Culture, Essays on Critical
Theory and Music. Kahn & Averill, London, 1996.
13. Patterson, L Ray & Lindberg, Stanley W..
The Nature of Copyright, A Law of Users’ Rights, The University of Georgia
Press, Athens & London, 1991.
14. Rose, Gillian. The Melancholy Science: An Introduction to the Thoughts of
Theodor W. Adorno. London: Macmillan, 1978.
15. Subotnik, Rose Rosengard. Deconstructive Variations, Music and Reason in
Western Society. University of Minnesota Press, Minneapolis, London. 1996.
16. Watt, Richard.
Copyright and Economic Theory, Friends or Foes? Edward Elgar, Cheltenham, UK.
Northampton, MA, USA. 2000.
17. Woodmansee, Martha, and Jaszi, Peter.
The construction of Authorship, Textual Appropriation in Law and