Nanguan Music: Appreciation and Practice
南管音樂欣賞與實習
Instructor:
Xinxin Wang
Semesters:Spring 2008, Fall 2007, Spring 2007, Fall
2006, Spring 2006, Fall 2005, Spring 2005, Fall 2004, Spring 2004, Fall 2003,
Spring 2003
Credit:2
Course description:
Nanguan
is a classical musical tradition in
This course is
limited to 20 students. The students must have a certain amount of music
training. The course will consist of the following four stages:
1. Appreciation:
The instructor will
select a few nanguan pieces and will teach students how to listen to it. This
will also provide a chance for an explanation on the performance format of
nanguan music, including its instrumentation, repertory, meters, and notation
system. The instructor will also use recordings to illustrate the differences
between the different styles of singing, including Quanzhou, Amoy, and
2. Tune labels and
notation:
Students will learn
to read nanguan notation system. The teacher will also explain the four basic
scales of nanguan music. Thus students will learn to analyze the major tunes in
nanguan music.
3. Practice of
instruments
The intructor will
explain the various organological features of nanguan instruments, and the
students will learn to play the instruments and will perform them using actual
nanguan pieces. There will be approximately four pieces to learn in the
semester.
4. The final exam
will consist of a small-scale nanguan concert.
Grading:
Midterm
will be written test, including deciphering notation, transnotation, and
recognizing major nanguan tunes.
Final exam will consist of singing and instrumental
playing.
Teaching
materials
1. Handouts prepared by the instructor
2.
Nanguan audio-visual materials
Schedule:
|
Pieces to be
taught |
content |
hours |
week |
|
Introduction |
Introduction to
the course, appreciation of pieces |
2 |
1 |
|
Wang Mingyue |
Analysis of the
piece, reciting the lyrics, singing the notation |
2 |
2 |
|
Singing the
notation, singing the song |
2 |
3 |
|
|
Singing the song,
playing instruments |
2 |
4 |
|
|
Practicing
ornamentation |
2 |
5 |
|
|
Fuwei Gongming |
Analysis of the
piece, reciting the lyrics, singing the notation |
2 |
6 |
|
Singing the
notation, singing the song |
2 |
7 |
|
|
Singing the song,
playing instruments |
2 |
8 |
|
|
Practicing
ornamentation |
2 |
9 |
|
|
Xintou Shangbei |
Analysis of the
piece, reciting the lyrics, singing the notation |
2 |
10 |
|
Singing the
notation, singing the song |
2 |
11 |
|
|
Singing the song,
playing instruments |
2 |
12 |
|
|
Practicing
ornamentation |
2 |
13 |
|
|
Yuanxiao Shiwu |
Analysis of the
piece, reciting the lyrics, singing the notation |
2 |
14 |
|
Singing the
notation, singing the song |
2 |
15 |
|
|
Singing the song,
playing instruments |
2 |
16 |
|
|
Practicing
ornamentation |
2 |
17 |
|
|
Final |
Final concert |
2 |
18 |
|
Final test |