音樂學研究討論一 

Musicological Research Seminar (I)

授課教師：楊建章（與王育雯合開）
開課學期：96/1
學分數：1

課程簡介及目的

本 課程為音樂學的入門課程的第一部份，首先簡單介紹音樂學發展的歷史，檢討音樂作為研究對象的可能性與困難。並且以實例為教學媒介，達到理論與實務並重的目 的。課程討論內容，包括音樂學史、音樂學相關資料基本介紹、音樂文本閱讀、摘要寫作、研究計畫寫作等等。本課程上課的基本方式，在藉著對過去研究的討論、 分析，來熟悉音樂研究的基本方法。

上課要求與評量標準

本課程以教師講課與課堂討論相互配合；修課同學除了期末作業（口頭＋書面）外，其餘評量皆依據學期間之課堂作業、討論、與口頭報告表現。成績評量標準如下：

一、課堂書面作業                30%

二、上課參與及帶領討論    30%

三、學期報告                        40%

教材及參考用書

本課程無固定教材，但以下書籍，請參考購買：

Cook, Nicholas, and Eric Clarke. Empirical Musicology: Aims, Methods, Prospects. Oxford: Oxford University Press, 2004.

Clayton, Martin, Trevor Herbert, and Richard Middleton, eds. The Cultural Study of Music. London: Routledge, 2003.

Cook, Nicholas, and Mark Everist, eds. Rethinking Music. Oxford: Oxford University Press, 1999.

Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. Chicago: The University of Chicago Press, 1995.

本課程中文論文格式參考《新史學》、《台大文史哲學報》、《台大美術史研究集刊》等學刊。（ 總圖中文期刊區 ）

西文論文格式參考書

The Chicago Manual of Style. 15th ed. Chicago: University of Chicago Press, 2003.（本課程使用之格式）總圖一樓參考書區

MLA Style Manual and Guide to Scholarly Publishing. 2nd ed. New York: MLA, 1998.

Turabian, Kate. A Manual for Writers of Term Papers, Theses, and Dissertations. 6th ed. Chicago: University of Chicago Press, 1996.

Holoman, D. Kern. Writing about Music: A Style Sheet from the Editors of 19th-Century Music. Berkeley: University of California Press, 1988.  

其他參考及閱讀材料另列。

課程大綱

第一單元：音樂學與其歷史

Wk 1 （20.09.2007）：課程簡介

Readings: Readings: Barthes, “The Death of the Author”; Kundera, “Die Weltliteratur: How to Read One Another”

Assignment: 圖書目錄與資料檢索

Wk 2 (27.09.2007): History of Musicology (1)

Readings:  Adler; Chrysander, Nettle, “The Institutionalization of Musicology”; Yang, “The Cartesian Anxiety”

Assignment: 書目格式練習

Wk 3 （04.11.2007）：History of Musicology (2)

Readings: Shelemay, “The Impact and Ethics of Musical Scholarship; Potter, “Musicology under Hitler”; The Cultural Study of Music; Empirical Musicology

Assignment: 音樂學研究近況 (*)

Wk 4: Schenkerian theory & analysis

Wk 5:  對 Schenkerian theory & analysis 的相關批評

Wk 6: Set theory and analysis 方法

Wk 7: 對 Set theory and analysis 相關批評

Wk 8: Music Psychology, Perception & Cognition:
Implication/Realization model (Meyer)

Wk 9: Music Semiotics/Semiology

Wk 10: Music Feminism

Wk 11: 系統音樂學範圍與方法；

英美音樂學研究現況與趨勢

Wk 12: 學期口頭報告

Wk 13 （13.12.2007）：停課

Wk 14 （20.12.2007）：論文基本結構

Readings: Goehr, “Musical Production without the Work Concept;” Hennion, "Baroque and Rock: Music, Mediators and Musical Taste"; Thompson, The Soundscape of Modernity

Wk 15 （27.12.2007 ）：論點與論證

Readings: Marshall, “Bach the Progressive: Observations on His Later Works”; Neumann, “Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.” Dreyfus, "Bach as Critic of Enlightenment"

Assignment: 摘要練習

Wk 16 （03.1.2008）：研究計畫寫作（一）

Readings: Milewski, "Chopin's Marzukas and the Myth of the 'Folk';" Solie, “Whose Music?”

Wk 17 （10.01.2007）：研究計畫寫作（二）

Readings: TBA (from student assignments)

Wk 18（17.01.2007）：研究計畫檢討報告

Readings

Clayton, Martin, Trevor Herbert, and Richard Middleton, eds. The Cultural Study of Music. London: Routledge, 2003.

Cook, Nicholas, and Eric Clarke. Empirical Musicology: Aims, Methods, Prospects. Oxford: Oxford University Press, 2004.

Cook, Nicholas, and Mark Everist, eds. Rethinking Music. Oxford: Oxford University Press, 1999.

Dreyfus, Laurence. "Bach as Critic of Enlightenment." In Bach and the Patterns of Invention, 219–44. Cambridge, Mass.: Harvard University Press, 1996.

Goehr, Lydia. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Oxford University Press, 1992.

Hennnion, Antoine. "Baroque and Rock: Music, Mediators and Musical Taste." Poetics 24 (1997): 415–35.

Marshall, Robert. "Bach the Progressive: Observations on His Later Works." The Musical Quarterly 62, no. 3 (1976): 313-57.

Milewski, Barbara. "Chopin's Mazurkas and the Myth of the Folk." 19th Century Music 23, no. 2 (1999): 113–35.

Neumann, Frederick. "Bach: Progressive or Conservative and the Authorship of the Goldberg Aria." The Musical Quarterly 71 (1985): 281–94.

Potter, Pamela. "Musicology under Hitler." Journal of the American Musicological Society 49, no. 1 (1996): 70-113.

Solie, Ruth. "Whose Life? The Gendered Self in Schumann’s Frauenliebe Songs." In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 219–40. Cambridge: Cambridge University Press, 1992.

Yang, Chien-Chang. "Music as Knowledge: Hugo Riemann’s Theory of Musical Listening and the Foundation of German Musikwissenschaft." Ph. D. diss., The University of Chicago, 2002.