音樂的知識系譜與美學探討
Genealogies of Musical Knowledge: Readings in Musical
Aesthetics
授課教師：楊建章
開課學期：95/1
學分數：3
課程簡介及目的 Class
Introduction and Objectives
音樂在歐洲文化史中所扮演的角色，並非一直是我們認為的，聲音的藝術。本課程以原典閱讀為手段，探討音樂
(musica) 在歐洲歷史中不同面向的展現。
課程大致分為兩個部份：前半討論音樂從中世紀一直到十九世紀的不同呈現方式，課程後半為二十世紀中葉以來，將音樂當成符號、社會現實、政治實踐、以及人類生命真實的最高表現等。
This course focuses on how "music" has been
regarded as a species of knowledge in European history. Through the ages
whether as musica mundana or as
actual sounding phenomena, music has been incorporated into different branches
of knowledge. This course explores these different incorporations, including
seeing music as display of mathematical laws, as linguistic signs, as social
facts, and as the expression of philosophical "truth".
上課要求與評量標準 Class
Requirements
本課程為以討論為主的進階討論課，修課同學除了在學期末必須完成一含參考書目之書面報告外，其餘評量標準皆以期中之討論與口頭報告表現。成績評量標準如下：
This course is a discussion-oriented graduate seminar.
Students taking the course are responsible for at least one class presentation
and a research paper submitted by the end of the semester.
一、口頭報告 (oral reports) 20%
二、上課參與 (class participation) 20%
三、學期報告 (final paper) 60%
教材及參考用書 Texts
and References
以下文獻為音樂美學相關文獻，提供音樂美學歷史及研究問題背景參考。
Dahlhaus, Carl. Esthetics of Music.
Trans. William Austin. Cambridge: Cambridge University Press, 1982. ML3845 D2913
Fubini, Enrico. The History of
Music Aesthetics. Trans. Michael Hatwell. London: Macmillan, 1991.
Lippman, Edward. A History of
Western Musical Aesthetics. Lincoln, Nebra.: University of Nebraska Press,
1992. ML
Scruton, Roger. The Aesthetics of
Music. Oxford: Clarendon Press, 1997. ML
3845 S3975
Bowman, Wayne. Philosophical Perspectives on Music. New
York: Oxford University Press, 1998.
課程大綱
第一週（21.09.2006）：Course Introduction；音樂的知識系譜
第二週
(28.09.2006): Music as artes liberales
Readings:
Boethius, Fundamentals of Music;
Guido, Micrologus
第三週（05.10.2006）：Music as poetry
Readings: Palisca,
The Florentine Camerata
第四週（12.10.2006）：Music as magic
Readings: :
Tomlinson, Music in Renaissance Magic; Gouk,
Music, Science, and Magic in Seventeenth-Century England
第五週（19.10.2006）：Music as machine
Readings:
Descarte, Compendium musicae; Ratner, "Ars combinatoria"
第六週（26.10.2006）：Music as represented emotion
Readings:
Rousseau, On the Origin of Language; Rameau,
第七週（02.11.2006）：教師出國請假
第八週（09.11.2006
）：Music as Religion
Readings: Wagner,
“Religion and Art”; Nietzsche, “Wagner at Beyreuth”
第九週（16.11.2006）：Music as Emotional Form
Readings: Meyer, Emotions and Meaning in Music; Langer, Feelings and Form
第十週（23.11.2006）：Music as Sign
Readings: Tarasti,
A Theory of Musical Semiotics; Nattiez, Music and Discourse
第十一週（30.11.2006）：Music as Social System
Readings:
Bourdieu, The Rules of Art; Henning,
“Baroque Music and Rock”
第十二週（07.12.2006
）：Music as Political Act
Readings: Goehr,
“Political Music and the Politics of Music”; Attali, Noise
第十三週（14.12.2006
）：Music as Social Reality
Readings:
Althusser, "A Letter on Art"; Adorno, "On the Social Situation of Music"; Marcuse, "Art as
Form of Reality"
第十四週（21.12.2006
）：Music as Art
Readings:
Heidegger, “On the Origin of Art”; Nancy, The
Muses
第十五週（
28.12.2006 ）：Music as Lebensphilosophie (1)
Readings: Bloch, Philosophy of Music; Said, Musical Elaborations
第十六週（04.01.2006
）：Music as Lebensphilosophie
(2)
Readings: Deleuze,
What Is Philosophie?; A Thousand Plateaus; Onemore
第十七週（11.01.2006
）：Student Presentation
第十八週（18.01.2006
）：Student Presentation
閱讀材料 Readings
Adorno, Theodor W. Toward a Theory
of Musical Reproduction. Oxford: Blackwell, 2005.
———. "Music and Technique." In Sound Figures.
———. "On the Social Situation of Music." In Essays on Music.
Althusser, Louis. "A Letter on Art in Reply to André Daspre."
In Lenin and Philosophy and Other Essays,
151–55. New York: Monity Review Press, 2001.
Attali, Jacques. Noise: The
Political Economy of Music. Translated by Brian Massumi. Minneapolis:
University of Minnesota Press, 1989.
Bloch, Ernst. Essays on the
Philosophy of Music. Cambridge: Cambridge University Press, 1985.
Boethius, Anicius Manlius Severinus. Fundamentals
of Music. Translated by Calvin M. Bower. New Haven, CT.: Yale University
Press, 1989.
DeNora, Tia. After Adorno:
Rethinking Music Sociology. Cambridge: Cambridge University Press, 2003.
Gouk, Penelope. Music, Science and
Natural Magic in Seventeenth-Century England. New Haven, Conn.: Yale
University Press, 1999.
Heidegger, Martin. "The Origin of the Work of Art (1935–36)."
In Off the Beaten Track, 1–56.
Cambridge: Cambridge University Press, 2002.
Hennion, Antoine. "Baroque and Rock: Music, Mediators and Musical
Taste." Poetics 24 (1997):
415–35.
Jankélévitch, Vladimir. Music and
the Ineffable. Translated by Carolyn Abbate. Princeton: Princeton
University Press, 2003.
Langer, Susanne K. Feeling and
Form. New York: Scribners, 1953.
Marcuse, Herbert. "Art as Form of Reality." New Left Review 74 (1972): 51–58.
Palisca, Claude. The Florentine
Camerata: Documentary Studies and Translations. New Haven, Conn.: Yale
University Press, 1989.
Ratner, Leonard. "Ars
Combinatoria: Chance and Choice in Eighteenth-Century Music." In Studies in Eighteenth-Century Music,
edited by H. C. Robbin Landon, 343–63. Oxford: Oxford University Press, 1970.
Said, Edward. Musical Elaborations.
New York: Columbia University Press, 1991.
Tomlinson, Gary. Music in Renaissance Magic: Toward a Historiography of
Others. Chicago: University of Chicago Press, 1993.